Director/Executive Producer: Tea Alagic
Writer/Executive Producer: Ben Heineman
Producer: Chantel King
Set Designer: Emmie Finckel
Sound Designer: Evdoxia Ragkou
Costume Designer: Anya Klepikov
Lighting Designer: Betsy Chester
Projections Designer: Yana Biryükova
Wig, Hair, and Make-up Designer: Bobbie Zlotnik
Dance Choreographer: Shannon Stowe
Intimacy and Fight Choreographer: Judi Lewis Ockler
Associate Director: Annaporva Green
Associate Set Designer: Kim Zhou
Associate Sound Designer: Bryn Scharenberg
Associate Costume Designer: Jess Gersz
Associate Projections Designer: Hannah Tran
Dance Choreographer Associate: Pau Zabaleta Llauger
Associate Producer: Ashley Sacks
Dramaturg: Raina Lawrence
Production Stage Manager: Lindsey Zinbarg
Assistant Stage Manager: Blake Elliott
Technical Director: Eli Reid
Costumes Supervisor: Lora LaVon
Props Supervisor: Lola Buncher
AV Supervisor Master Electrician: Lydon Thorpe
Assistant Technical Director: Cody Henson
Lightboard Programmer: Zack Heffner
A1 Corbin Hopkins
Head of Wardrobe: Kaitlyn Day
Citizen/Corday/Cecile Renault/Hebert: Hannah Adrian
Citizen/Advisor/Mailhe/Officer/Hanriot: Mike Spara
King/Dumouriez/Prosecutor/Tallien: Ismael Castillo
Shopkeeper/Jury Foreman: Pamela Joy
De Seze/Cambon: Monica Sanborn
Lindet/Executioner: Misha Bouvion
Queen/Carnot/Duplay: Katharine Chin
Barère/Buzot: Chris Then
Madame Roland/Desmoulins/Thérésa Cabarrus: Lauren Lee
Robespierre: Revon Yousif
Marat/Couthon: Roberto Tolentino
Brissot/Collot: Austin Purnell
Saint Just: Hallie Schwartz
Danto: Christopher McFarland
Crowd/Understudy RJ Payne

About the Work: 

A documentary play in five acts by Ben Heinemann

Set during the French Revolution, Terror Is the Order of the Day follows a society’s descent from liberty and hope into suspicion, violence, and fear.

Drawing on historical testimony and political speeches, the play explores how revolutionary ideals became instruments of oppression—and asks when justice becomes revenge.

A tragedy of revolution, power, and society.