Terror Is The Order Of The Day 2025

2025

The Flea, NYC

Director/Executive Producer Tea Alagic
Writer/Executive Producer Ben Heineman
Producer Chantel King
Set Designer Emmie Finckel
Sound Designer Evdoxia Ragkou
Costume Designer Anya Klepikov
Lighting Designer Betsy Chester
Projections Designer Yana Biryükova
Wig, Hair, and Make-up Designer Bobbie Zlotnik
Dance Choreographer Shannon Stowe
Intimacy and Fight Choreographer Judi Lewis Ockler
Associate Director Annaporva Green
Associate Set Designer Kim Zhou
Associate Sound Designer Bryn Scharenberg
Associate Costume Designer Jess Gersz
Associate Projections Designer Hannah Tran
Dance Choreographer Associate Pau Zabaleta Llauger
Associate Producer Ashley Sacks
Dramaturg Raina Lawrence
Production Stage Manager Lindsey Zinbarg
Assistant Stage Manager Blake Elliott
Technical Director Eli Reid
Costumes Supervisor Lora LaVon
Props Supervisor Lola Buncher
AV Supervisor Master Electrician Lydon Thorpe
Assistant Technical Director Cody Henson
Lightboard Programmer Zack Heffner
A1 Corbin Hopkins
Head of Wardrobe Kaitlyn Day
Citizen/Corday/Cecile Renault/Hebert Hannah Adrian
Citizen/Advisor/Mailhe/Officer/Hanriot Mike Spara
King/Dumouriez/Prosecutor/Tallien Ismael Castillo
Shopkeeper/Jury Foreman Pamela Joy
De Seze/Cambon Monica Sanborn
Lindet/Executioner Misha Bouvion
Queen/Carnot/Duplay Katharine Chin
Barère/Buzot Chris Then
Madame Roland/Desmoulins/Thérésa Cabarrus Lauren Lee
Robespierre Revon Yousif
Marat/Couthon Roberto Tolentino
Brissot/Collot Austin Purnell
Saint Just Hallie Schwartz
Danto Christopher McFarland
Crowd/Understudy RJ Payne

Tea Alagić Studio
AUTHOR

Tea Alagić

TEA ALAGIĆ is an internationally acclaimed Bosnian director, writer, producer, actor, and educator. Celebrated for her highly visual, physically dynamic approach, Tea draws on circus and trapeze training, the traditions of Jacques Lecoq, and immersive theatrical techniques to transform text into embodied ritual with bold theatricality. Critics have called her work “vivid, vital, and a lot of fun”, with The New York Times noting her ability to create “a vivid, very recognizable world”, and The New Yorker praising her direction in the North American premier of Elfriede Jelinek’s Jackie, highlighting her skill in finding “infinite variety in Jelinek’s long text… make this smashing of an old icon worth a visit.”